K-Interview: Chris Meyer (Songwriter, Producer, Singer, and Multi-Instrumentalist)

Interviewer: Deena Jasmine (Chikkmagaluru, Karnataka, India) Editor: Pooja Vishwanathan (Jhansi, Uttar Pradesh, India) Turning beats into bridges, Chris Meyer is making waves in the world of K-pop. From Sweden to the heart of the K-pop world, Chris Meyer has become a driving creative force behind some of the genre’s biggest acts.   A multiplatinum songwriter, producer,…

Top 6 TREASURE Songs You Must Listen

Devanshi Ghanshala, Delhi TREASURE, the sensational ten-member K-pop boy group signed under YG Entertainment, has recently achieved a million sellers title for the first time in three years since their debut. After their successful 2023 Asia Tour ‘HELLO’, TREASURE made a comeback with their second full-length album REBOOT. The album was a grand return that…

YG TREASURE BOX AND THE FORMATION OF TREASURE

Suhasini Singh, Pune, Maharashtra YG TREASURE BOX was a survival show where 22 trainees who had been training at YG in Korea and 7 trainees from YG Japan contested to debut as a group called ‘TREASURE’ of 7 members. The trainees were grouped into TREASURE A, TREASURE B, TREASURE C, and TREASURE J. TREASURE A…

The Fourth Generation of K-Pop: The Next Level

Chhavi Sharma, Surat, Gujarat: Roughly starting from 2018, the K-pop industry saw the emergence of the fourth generation of K-Pop. Being influenced by their seniors, the fourth generation artists have not disappointed either. Instead, they have left no stone unturned to prove themselves in terms of singing, choreography and concepts. Groups like Ateez, Stray Kids, TXT, Treasure, ENHYPEN, CRAVITY, and The Boyz have already climbed their way up to become one of the top boy groups of this generation. ITZY, Loona, (G)I-DLE, and Everglow are some of the top girl groups dominating this generation along with Aespa and Weeekly.

Japanese Music by Korean Artists: An Important Part of Hallyu Wave

Mehak Sharma, New Delhi: Music is not restricted to languages or boundaries. Over the past few years, K-Pop has grown remarkably by not only capturing the Asian markets, but has also established its recognition in the West as well. K-Pop has never restricted itself to the Korean language either since many K-Pop groups release multiple versions of their songs in different languages as well, such as in Chinese, Japanese, and English. Looking deeper into this, Japanese releases have by far captured significant spotlight being one of the biggest music markets in the world, accompanied by an interesting Korean-Japanese history.